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The American School of Classical Studies at Athens. "The Evolution of the Pan Painter's Artistic Style" (PDF). Lekythos (with Artemis on a white ground).Column krater (with nude female carrying erect male genitalia).Nolan amphora (with Zeus and Ganymede).Oinochoe (with Ganymede and possibly Zeus).Pyskter (Apollo fights Idas for Marpessa).Volute krater (with Artemis and Aktaion on one side and Dionysus and giant on other).Hydria in London ( Perseus, Medusa and Athena).

Oinochoe in London ( Boreas pursuing Oreithyia while her father grieves).

Lekythos in Boston (depiction of a hunter).

Psykter in America ( Apollos fighting for Marpessa).

Pelike in Athens ( Heracles and Busiris).

Bell krater in Boston (Pan and shepherd, death of Aktaion).

On the other side is an older man holding rods in his hand, possibly ready to discipline the boy if he dropped the furniture. The Pan Painter gives care to lines creating the clothing and the indent from one feather to the next on the edge of Nike's wings (in New Jersey ).Ī pelike depicts a youth carrying furniture, likely getting ready for a symposium or during a one. The Attic lekythos depicting Nike is an excellent example of the Pan Painter's attention to detail. The oinochoe that depicts Ganymede running from Zeus while holding a rooster, a hoop and a stick contains the common theme of one character running away from another (in the MET ). The Pan Painter painted the hands near the bottom of the cup giving weight to the satyr's task (in the MET ). Ī column krater depicting Dionysus has a careful illustration of a satyr carrying a full cup. The Pan Painter creates space by foreshortening Artemis' foot and Aktaion's legs. The folds in the clothing separate the Pan Painter from other Archaic depictions of cloth. His name-vase is a bell krater (in Boston Museum of Fine Arts's collection) depicting Pan pursuing a goatherd on one side and Artemis killing Aktaion on the reverse side.